Oxymoron: Waldorf Media Study

We are Waldorf. We study media.

9/17/2006

Good Art vs. Bad Art? Who cares?

Since IamHarrell will be in Glen Brook this week and since he has asked me to help facilitate our Monday and Wednesday discussions, it's only fair that I contribute to our "Oxymoron" blog.

Sadly, I missed your first discussion. I find your thoughts on "how media manipulates us (sells us, models values, creates fame as a commodity)" to be very interesting. I think you all really "hit the nail on the head" here. Instead of asking whether a piece of art is good or bad, I'd like to propose an alternative question. What sort of *social forms* does this artwork perform on me/you/us?

In other words, how is the artwork manipulating me? How does the artwork address my identity? Who cares if I think the pieces of art on the left, in camparison to the pieces on the right, are "good or bad"? I think the bigger issue here is how these pieces make statements about religion, Catholicism, morality, and so on and so forth. On a more personal level, how do these pieces make statments about *my* religion, *my* Catholicism, and/or *my* morality? How does it change? Or does it remain the same?

Max Horkheimer and Theodor Adorno, two mid-20th century philosophical thinkers and highly regarded art critcs, wrote The Dialectics of Enlightenment where they argued that the culture industry, produces and circulates cultural commodities through the mass media. (Think: Britney Spears, Andrea Bocelli, or Chris Botti) For them, popular culture was identified as a reason why people become passive and highly manipulated.

So, where does this leave us? Are we all just highly manipulated consumers in the culture industry's marketplace? Where is our sense of free choice? Where is our *freedom*?

1 Comments:

At 8:04 PM, Blogger IamHarrell said...

I think we have to be careful here Mr. I...isn't one of the criteria by which I can judge art to be good or bad the role that it plays in the cultural economy? Indeed, it is quite likely the most important criterion.

That is, I think that most of the people party to this conversation are aware that media has a certain sway over us and brings values to bear. What is interesting is surely the political and moral/religious messages we get, but the way we interface with media is itself political; that is, we meet media and its values with our own in place. So it is not so easy to separate the political and the personal--something culture critics (in my limited experience with them) seem to overlook.

 

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